What happens when you take a building out of the city, or a plastic chair out of the room and place it alone on a beach? When structure loses its function, or a detail is cropped so closely it becomes something else entirely?

This series explores the quiet tension between familiarity and estrangement. Objects, textures, and fragments of architecture are removed from their context — not distorted, but displaced. In that act of removal, meaning slips. What once seemed ordinary begins to feel symbolic, dreamlike, or absurd.

Here, absence speaks louder than presence. The images are minimal but never empty. Each frame invites closer looking — not to explain, but to observe.